News + Events
2012 BFA Awards Announced
Best in show
THE WORLD OVER: MECA Faculty Exhibition on View at the ICA through December 22
THE WORLD OVER: MECA Faculty Exhibition on view at the ICA through December 22
The Institute of Contemporary Art at Maine College of Art (ICA at MECA) in Portland will present the exhibition The World Over through December 22, 2012.
Featured artists include Jeffrey Clancy (Metalsmithing & Jewelry), Elizabeth Jabar (Printmaking) and Colleen Kinsella (Printmaking), Adam Manley (Woodworking & Furniture Design), and Gail Spaien (Painting). All are current faculty members of the BFA program at Maine College of Art. The World Over is the sixth in MECA’ s series of juried thematic faculty exhibitions. This exhibition was juried by Amie Scally, Deputy Director/Curator of White Columns, New York.
Jeffrey Clancy is a visual artist, designer and educator whose studio practice is informed by historical and traditional craft practices and theory. Clancy is represented by Gallerie Elisa Plateau, Brussels, Belgium, has been awarded The Society of Arts and Crafts Artist Award, Boston, MA. Recent exhibitions include Vestige, a solo exhibition at Gallery 37-A, Portland, ME; Art Brussels, 2010; Generously Odd: Craft Now, Lexington Art League, Lexington, KY; Re-make / Re-model, National Ornamental Metal Museum, Memphis, TN; Exterior / Ulterior National Ornamental Metal Museum, Memphis, TN; “Exhibition in Print 2010, Neo-Palatial: A Curatorial Imaginarium,” Guest Curator Garth Clark, Metalsmith Magazine.
Elizabeth Jabar is a print based artist and her hybrid works on paper explore ideas of ethnicity and heritage. In her printed assemblages and artists books she displays a highly personal visual language, incorporating cultural motifs from folk art, religious traditions and textiles. Her works have been shown at galleries and museums nationally and internationally, including Victoria Arts Connection, Victoria, BC, Canada, National Gallery of Art, Ulaanbaatar, Mongolia, Pyramid Atlantic, Rhode Island School of Design, Montserrat College, Colby College Museum of Art, The Institute of Contemporary Art at Maine College of Art, The Center for Maine Contemporary Art, University of New England, La Jolla Fiber Arts, La Jolla California, New York and The Center for Book Arts, New York, New York. Her work was recently published in 50/ 50 A Survey of Contemporary Printmaking.
Colleen Kinsella’s primary focus is split between printmaking and music. Her work has been published on over twenty-five album covers. She and her partner, who are known for their one-of-a-kind art and music production, began the group Big Blood and started Dontrustheruin Records out of their home. Her work was selected for this year’s Biennial at the Portland Museum of Art and was featured on the catalogue cover. She has shown at the International Print Center in New York; Dean Johnson Galley, Indianapolis, IN; Seattle’s Wall of Sound, Columbia College, Chicago, IL; and the Southern Graphics Council, Chicago, IL.
Gail Spaien has been granted numerous awards and fellowships including the New Hampshire Charitable Foundation Artists Advancement Grant, the Maine Arts Commission Good Idea Grant and Artist Visibility Grant, the Djerassi Foundation Resident Artists Program in Woodside, CA, Millay Colony for the Arts in Austerlitz, NY and, the Skowhegan School of Painting and Sculpture. Gail's exhibitions include the DeCordova Museum of Contemporary Art, in Lincoln, MA, Center for Maine Contemporary Art in Rockport, ME, San Jose Institute of Contemporary Art, in California, Crocker Art Museum, in Sacramento, CA, the Portland Museum of Art, the Institute of Contemporary Art in Portland, Maine, and the Colby College Museum of Art in Waterville, Maine. She is represented by Aucocisco Gallery in Portland, Maine, Miller Block Gallery in Boston, MA and the William Scott Gallery in Provincetown, MA.
For more information on the exhibitions and artists, visit our website: http://www.meca.edu/meca-life/ica
And, please remember that the ICA is always free!
Open Window Series 3 #1,2012
Acrylic on linen
55 x 60 inches
MECA Announces Fall Lecture Series
MECA’s Visiting Artist and Guest Lecturer Series invites professional artists, educators, curators, thought leaders, and creative entrepreneurs to present on topics of interest and importance to the MECA community. All lectures in this series are open to the public at no charge. RSVPs to firstname.lastname@example.org are encouraged, as seating is limited. Call 207.699.5010 for more information.
Art for the
As the director of Long Now, Alexander has facilitated projects such as the 10,000 Year Clock, The Rosetta Project, Long Bets, Seminars About Long Term Thinking, Long Server and countless others. Alexander shares several design patents on the 10,000 Year Clock with Danny Hillis, the first prototype of which is in the Science Museum of London. His experience also includes serving as an artist in residence at Silicon Graphics Inc., a project manager for Shamrock Communications, and a founding partner of Inertia Labs. Alexander has attended the Art Center College of Design and graduated with a bachelor of arts honors degree from Carnegie Mellon University in Industrial Design in 1995.
A Day With The Public Engagement Department
Scott Berzofsky is a recent SMACT graduate from the MIT Program in Art, Culture and Technology. His work explores the relation between art, ecology and urban spatial politics. Before coming to MIT, Scott lived and worked in Baltimore, where he co-organized several artistic and activist initiatives including campbaltimore, Participation Park, The City from Below and STEW. His writing has appeared in Third Text, Critical Planning and The Journal of Aesthetics and Protest.
Printmaking, Book Arts, and Sculpture
Materials and Process
Leeanna Morris is currently in her first year of the MECA MFA program. She earned a BFA in Studio Art concentrating in photography and a minor in Art History from Southern Methodist University (SMU). After graduating Leeanna was a Studio Resident in ceramics at SMU’s Meadows School of the Arts. In her work, she is currently exploring ideas of installation and limitation through materials and process. She works in a variety of mediums, ranging from photography, ceramics, fibers, and drawing.
The Inspiration of Edward Gorey & The High Skies Adventure of Blue Jay the Pirate
MECA Announces Lecture with Anthony Smyrski at the ICA
Anthony Smyrski is a founder of Smyrski Creative and co-founder of hte experimental media project MEGAWORDS. Anthony gave a talk about finding his passion, starting his own design firm and offered practical advice to students about starting a creative business or freelance practice.
First year students at MECA engage community with mural project
This striking new mural recently appeared as a result of a community partnership and MECA's Public Engagement efforts at the corner of Preble Street and Cumberland Avenue, a block off of Monument Square.
Two of MECA’s FY-In sections have teamed up with Wright Ryan to create a temporary public installation on the exterior of the new Preble St Teen Center. Paul Gebhardt and Adam Manley’s classes collaborated to create a 48 foot Mural to be mounted on the side of the building at the corner of Preble and Cumberland Streets. Students worked together to come up with a mural spoke to both the residents of the center and the general population of Portland. After a group brainstorming session, the students were divided into groups of two, each of which was assigned a letter, as well as a language commonly spoken in Portland to act as a visual prompt for the painting of their letter. The mural is divided into 4’ x 4’ squares, each containing one letter, and the individual artworks that developed around each of these letters is based on the students’ extensive research into the visual language of the assigned cultures.
The building is being renovated to become the Preble Street Resource Center's new Joe Kreisler Teen Shelter. But the mural is actually a collaboration between Wright-Ryan Construction and this year's freshman class at the Maine College of Art.
Wright-Ryan superintendent Rob Barrett was a driving force behind the initiative. He said, "The building renovations required his crew to remove the first-floor facade and erect a temporary plywood shed. Instead of having a blank wall, it seemed like a perfect canvas for a community art project, so I contacted a couple of instructors at MECA. Members of the freshman class then teamed up in pairs to paint the mural's individual panels, each of which honors a different nationality from the diverse immigrant community at the nearby Portland High School."
"It was a way to get incoming freshmen introduced to Portland, and introduced to the Preble Street Resource Center, with a community-based arts project," explains Barrett.