Admissions News + Events
Illustration Professor Rob Sullivan Hosts First Solo Show in NYC
"A Troubling Calm: The Recent Works of Rob Sullivan"
This Thursday, January 23 (6-9pm), MECA Illustration professor Rob Sullivan opens a new show at the Good Question Gallery in Chelsea, New York. The show titled "A Troubling Calm" will be featured in the main gallery space through February 22, 2014 and is Sullivan's first solo show in the Big Apple.
538 West 29th St.
New York NY 10001
Nicole Holmes '14 Wins Geary's Competition
Congrats to Graphic Design Senior, Nicole Holmes, for winning the 2014 Geary's packaging competition!
In conjunction with the release of the Summer Ale this spring, Artists at Work will host an exhibition of the entries. More details forthcoming.
Thanks to all students who participated in the 2014 Geary's Summer Ale packaging competition.
MECA Public Engagement students forge connections with Avesta Housing Community
Behind each piece of artwork hanging in the community room at Bayside East is a story. There’s the story of the treasures brought home by a young man stationed overseas, or the story of a cultural tradition transplanted in a new community. And there’s the simple story of preserving a community’s history through newspaper clippings.
Looking at the 11 prints on the walls, the stories might not be apparent. But for the residents of the Portland senior community, the artwork represents memories of cherished items collected over the years, as seen through the eyes of local art students.
From September to December, a class of Maine College of Art students spent several hours talking with a group of residents of Bayside East and seeing first-hand the objects that hold special meaning for them. Residents brought odds and ends gathered over the years, like collections of old newspaper clippings, gifts given to them by loved ones, and even colorful traditional African clothing made by hand.
Through stories and questions, the students learned why these objects were so important to their owners. Then, they created original prints using the objects and stories as influence.
The semester-long project wrapped up in December with a potluck party at the property. The students unveiled their art to the residents and talked about their process. Each student made multiple prints so that the residents could also hang one in their apartment.
One of the residents, Bill, had showed students a geisha doll he’s had for over four decades, purchased overseas when he was serving in the Navy. The doll became a source of inspiration for one student, who made a black-and-white print of its likeness that now hangs in the community room kitchen.
“My 45-year-old gal – it’s nice to see her out,” said Bill.
This partnership is just one way Avesta has been exploring community partnerships to help enhance our residents’ sense of home through art. The importance of art goes beyond aesthetics – it’s a vital part of creating a sense of community and making our residents feel at home.
Partnerships with other organizations also strengthen relationships between our residents and members of the larger community, creating connections that can have a lasting impact. The residents visited the students in their studio to see first-hand how printmaking is done. They also got a personalized tour of the college’s facilities on Congress Street, which was especially meaningful for one resident, who used to work in the building back when it was the Porteous department store.
“It’s community development for both, for us and for (Maine College of Art),” said Bill of the project. “What it brings to the room is what we were looking for. This is extremely nice to have.”
Kate, a student, said they were all initially nervous about leaving the classroom and “stepping out of our comfort zone,” but those feelings quickly dissipated as they spent more time with the residents. “We had a really fun time, they were interested people we wouldn’t normally interact with,” she said. “They were fun to talk with – they always had something interesting to say.
“Every time you have students get out somewhere else, it’s beneficial to your art,” she added.
Rod, one of the residents, said the opportunity to interact with young people held more meaning for him now that he’s getting older and most of his own children have moved away. “Getting to know them has been really great. They’re obviously a really great bunch of kids,” he said. “I think programs like this are really great — this way, you don’t just house older people and forget about them.”
Avesta looks forward to working with the Maine College of Art to repeat the program with another group of residents next fall.
* Thank you to Pilar and her students for providing some of the photos for this blog post.
FROM THE INSIDE: MECA Staff Show on view through January 23
Capitalizing on Creativity: Thinking Wrong, Doing Right
Monday, November 18th, 2013 from 5:30pm-7:30pm
Join us for an interesting and informative evening of “Wrong Thinking” and learn how to unlock the ingenuity in yourself and your employees.
Creative solutions are not found by thinking in the same old ways that created the problem. John Bielenberg founded Project M on the premise of “Thinking Wrong” as a means of making the world a better place through design. “Thinking Wrong” is all about challenging our own orthodoxies or learned behaviors that inhibit true innovation and creative exploration. It is about generating a lot of possibilities before doing the much more analytical process of selection and execution. What John Bielenberg does best is help companies and their people find the courage and the sense of humor to consider whole new, wrong ways of bringing their stories, ideas, and innovations out into the world.
One of their projects, Alabamboo is a growing movement dedicated to strengthening the economic and social fabric of the rural south through re-imagining local agricultural enterprise. By introducing bamboo as a regional agricultural product, Alabamboo fosters job creation, localizes production, and sustains clean air and water in the region.
John Bielenberg is Executive Producer, Design, for Future. In February 2013, John was awarded the AIGA Medal, the design organization's highest honor. With the award, AIGA recognized him as a "designer, entrepreneur and imaginative advocate for a better world," specifically citing his "innovative investigations into the practice and understanding of design and leadership in the 'design for good' movement." In addition to this recent honor, John has won more than 250 design awards in his career, and became an AIGA Fellow in 2008.
Pricing: $35 or become a member of MCC for $35 and the first Creative Toolbox is free! $15 for MCC Members, Students with valid ID
Space is limited! Contact email@example.com to register today or call Jean at 207-730-0694
Noted Visiting Artist to Present Lecture on the Interface Between Printmaking and Painting
Between Ink and Paper: Printmaking with Catherine Kernan
Catherine Kernan, nationally acclaimed artist, will present a lecture about the interface between printmaking and painting on Friday, October 25, 2013, 7:00-8:00 p.m. in Osher Hall at Maine College of Art, Congress Street, Portland. The event is open to the public free of charge and is presented in partnership with the Printmaking Department of Maine College of Art.
Catherine Kernan is a painter, teacher, printmaker, the co-founder and partner of Mixit Print Studio in Somerville, MA, and the director of Maud Morgan Arts, an arts center in Cambridge, MA. She says, “Working at the interface between printmaking and painting, I use large scale woodblocks in unorthodox ways as a transfer tool to build images layer by layer in a painterly process of controlled accident. No longer a purist, I exploit any available tool or means to transfer color and form to surface. Interruption and interference with the ‘perfect transfer’ are integral to the process.”
The Kate Mahoney Memorial Fund was established in 2003 in memory of a founding member of Peregrine Press. The Fund is designed to encourage printmakers in southern Maine and to promote public understanding of the art of printmaking. Peregrine Press, founded in 1991 as a non-profit, fine arts printmaking cooperative in Portland, Maine, is the only such cooperative in Maine, and among a few of its kind in the nation. Currently there are 30 active members who work in a variety of printmaking techniques such as collograph, woodcut, monotype, etching, photo-etching, lithography, and other mixed media processes. The shared studio, which is available to members 24/7 is operated and maintained on a cooperative basis with an elective board that runs the organization. The full membership meets several times a year to organize events and workshops. Peregrine Press is working towards being as toxic free a studio as possible.
Sponsored by The Peregrine Press and is made possible by the Kate Mahoney Memorial Fund
MECA'S JAMIE HOGAN'S CHILDREN'S BOOK ILLUSTRATIONS NAMED IN "100 GREAT CHILDREN'S BOOKS"
The New York Public Library has announced the "100 Great Children’s Books | 100 Years" featuring "inspiring tales that have thrilled generations of children and their parents." Among those, "Rickshaw Girl"- illustrated by MECA's Jamie Hogan and written by Mitali Perkins has been honored. Maine has been the home to classic and contemporary children's book creators, including "Charlotte's Web" by E.B. White, "Make Way for Ducklings" by Robert McCloskey, and "The Giver: by Lois Lowry. Jamie Hogan is a professor in MECA's Illustration Department.
"To see my name on the list of children's book authors and illustrators I grew up with and stories that my daughter was raised on, put me over the moon," said Jamie Hogan, "What astounding company."
The "100 Great Children’s Books | 100 Years" list was chosen by children’s librarians at The New York Public Library and published on the occasion of The New York Public Library’s acclaimed exhibition "The ABC of It: Why Children’s Books Matter."
Find more information & the complete list by clicking here.