Adriane Herman, Associate Professor of Printmaking and Foundation at MECA, will give a lecture in Osher Hall on September 15 at 12:30pm. Herman investigates conscious and unwitting forms of consumption and collection. She has had solo exhibitions at Western Exhibitions in Chicago, the Kansas City Jewish Museum of Contemporary Art, The Center for Maine Contemporary Art, Interlochen Center for the Arts, and Adam Baumgold Gallery in New York. Sites of group exhibitions include International Print Center New York; The Dalarnas Museum (Sweden); Portland Museum of Art; Ulrich Museum of Art (Wichita); The Brooklyn Museum, Rose Contemporary, and chosen barren land in Tainen, Taiwan. Herman’s work has been collected by The Herbert F. Johnson Museum of Art, The Progressive Corporation, Sprint, Inc., The Walker Art Center, and The Whitney Museum of American Art.
Herman has received grants from the Maine Arts Commission, the Charlotte Street Foundation , and the Avenue of the Arts Foundation. Her solo and collaborative work has been written about in numerous journals, including The New Yorker, Art on Paper, Art Journal, The Kansas City Star and Art New England, as well as the following books: Printmaking at the Edge: 45 Artists/16 Countries/A New Perspective; Imprint of Place: Maine Printmaking 1800-2005; The Best of Printmaking; Thomas Kinkade: The Artist in the Mall, and Printmaking: A Complete Guide to Materials and Processes.
Herman's independent efforts to normalize consumption of fine art dovetail with collaborative curatorial efforts such as SlopArt.com and projects she has undertaken with students and colleagues, such as “Long Overdue: Book Renewal,” which recycled myriad books, yielding 175 artworks temporarily collectible through Portland Public Library and Inter-Library Loan. Another book-based collaborative project Herman recently initiated is called Plunder the Influence and can be browsed online or viewed in the Joanne Waxman Library until the end of September.
Herman has lectured and conducted workshops at over fifty institutions. She holds a B.A. from Smith College, an M.F.A. from the University of Wisconsin-Madison, and a Level II certificate in the Wilton Method of Cake Decorating. She offers limited edition multiples in barter for intimate details about others’ lives in the form of grocery or “to do” lists.
Scott Nash Summer Exhibitions
Illustration faculty member Scott Nash has a solo exhibition at the Centerville Historical Society Museum on Cape Cod. The show "Bedtime Stories for Pirates" is on view through September 23 and includes original illustrations, drawings, and 3-D marquettes all related to the process he follows to illustrate a final published children's book. His work is also included in the University of New England exhibition of children's book illustrators through October 30.
An accomplished illustrator with a distinctive vibrant style, Scott has illustrated more than 30 children’s books, including Saturday Night at the Dinosaur Stomp and The Bugliest Bug by Carol Diggory Shields, Over The Moon by Rachel Vail, Betsy Who Cried Wolf! by Gail Carson Levine, Snow Day!, Beach Day!, Rainy Day! and the just released Camping Day! by Patty Lakin, and the Flat Stanley series by Jeff Brown.
Ceramics Faculty are Featured Guest Artists at Watershed
MECA ceramics professors Lucy Breslin and Mark Johnson will be featured guest artists for a summer session at the Watershed Center for The Ceramic Arts in North Edgecomb, Maine. Watershed features an internationally known summer residency program that attracts artists interested in using clay as their primary material. The center brings together a diverse group of artists to live and work in a supportive, creative environment.
Images: (top) Lucy Breslin, (bottom) Mark Johnson
Students Conracted to Design Trophies
The Maine chapter of the National Alliance of Mental Illness contracted with MECA students to produce trophies for the agency’s Maine Walk. Sculpture students Nathan Plourde and Evee Dupuis each produced unique works in cast bronze. They corresponded regularly with the agency, giving them drawings and written documentation, keeping them appraised of the process and progress of the work right up to completion. They were paid for their invention and labor, and compensated for the cost of materials.
Evee wrote about her design, “Liberate is a depiction of the journey to mental health. The abstract interconnected shapes which define the foundation serve as a reference to interpersonal relationships while bringing to mind the intricacies of the human body. A cage, which sprouts organically from the apex of the base, serves as a portrayal of our tendency to become imprisoned within self-constructed parameters -- the doubts, negative imagery, and detrimental thought patterns which become habitual. Songbirds, an ancient symbol of hope, hover above this visual implication of entrapment, illustrating our ability to move beyond these inhibitions and fly free."
Nathan knew instantly that he wanted to make a symbol of the Greek mythological goddess, Hygieia. His design depicts the goddess holding a basin of water with a large snake coiled up along her body drinking the water. Nathan wrote, “Hygieia, daughter of Asclepious from Greek mythology is the goddess of health, cleanliness, and sanitation.”