ICAExhibitions: 2023

This Is Out of Hand

This is Out of Hand. July 14 – September 16, 2023

Dates

Symposium Schedule

About the Exhibition

Carving has been found among the earliest known records of Homo sapiens. From stone to wood, metal to synthetics, and soap to sand, carving continues to offer new perspectives in spatial thinking. This Is Out of Hand features an array of sculptures, utilitarian objects, and two-dimensional works by 33 artists from around the world, all united through the common practice of carving. Whether utilizing traditional tools and techniques, or digital technologies such as physical computing and video, all of the works in This Is Out of Hand challenge the norms surrounding reductive processes.

The art of carving is a method to—as sculptor David Nash describes— “quarry” meaning contained within material. The earliest carvings were made long before any written language and communicated shared values around spiritual, emotional, and bodily needs, such as the 30,000-year-old portable sculpture Venus of Willendorf or the 35,000-year-old Hohle Fels Flute (which is used by collaborative artist duo Allora & Calzadilla in this exhibition). Observed in these precious objects are the physical and mental tools needed to uncover meaning within material: a three-dimensional awareness, an elaborate form-language, and an extraordinary ability to focus.

Over the centuries, increasing advancements in technology have shifted labor away from hand-processes and towards more efficient ways to produce objects. Some of the artists in This Is Out of Hand embrace contemporary mechanical and digital production methods and materials. As materials evolve alongside technology, a nuanced, symbiotic relationship is born between the maker, the tool, and/or the machine.

The grouping of artworks in This Is Out of Hand celebrates a wide range of carving techniques and possibilities. There is a story behind every stone, every tree, every object, and every mark made. The exhibition and associated symposium utilizes carving as a language of expression to explore the many elemental questions embedded within everyday materials.

Exhibition Website

Installation view of several small sculptures on a table.
Installation view of a carved stone sculpture in front of several other sculptures.
Installation view of several sculputes.
Installation view of a carved stone sculpture.
Installation view of a sculpture made from two stone arcs.
Installation view of a large totem-like wood sculpture.
Installation view of three sculptures: the left a purple wire figure, the middle a marionette, and the left a kinetic foot and head.
Installation view of a carved head on the floor and a projection of a face.
Installation view of a black and white print next to a hanging metal sculpture.
Installation view of three sculptures, the left a bike-powered kinetic wooden frame, the middle a figure seated on a pedestal, the right two liquid-like forms reaching to each other.
Installation view of a carved wooden figure suspended on a wall, a projection of an eagle, and two wooden chairs.
Installation view of several sculptures.

Artists

Allora & Calzadilla, Gary Ambrose, Mari Beltran, Lewis Colburn, Stan Bevan, Raul De Lara, Sam Finkelstein, Ben Gancsos, John Gardiner '07, MFA '14, Mark Herrington, Duncan Hewitt, Kodai Hihara, Kazumi Hoshino, Andreas von Huene, Isabel Kelley ‘13, Kieran Kinsella, Lin Lisberger, Napoles Marty, Vik Muniz + Marcelo Coelho, David Nash, Catalina Ouyang, Ken Payne, Kyle Patnaude, Sharon Portelance '82, Torin Porter, Aidia Rayne ‘22 (with Sam Seda, Patrick Corrigan, David Yearwood), Jean Claude Saintilius, Jesse Salisbury, Schoodic Sculpture Symposium, Anoushe Shojae-Chaghoravand ‘19, Gina Siepel MFA ‘08, Chris Vorhees, Elizabeth Weber

Curated by Joshua Reiman